Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Person triming the nail oil painting


Person triming the nail
mk206 1873 Oil on canvas 61x46cm
Painting ID::  49904 		Edgar Degas
Person triming the nail
mk206 1873 Oil on canvas 61x46cm
   
   
     
Edgar Degas Two dancer oil painting


Two dancer
mk206 1874 Oil on canvas 64x61.5cm
Painting ID::  49905 		Edgar Degas
Two dancer
mk206 1874 Oil on canvas 64x61.5cm
   
   
     
Edgar Degas Cotton trade oil painting


Cotton trade
mk206 1873 Oil on canvas 73x92cm
Painting ID::  49906 		Edgar Degas
Cotton trade
mk206 1873 Oil on canvas 73x92cm
   
   
     
Edgar Degas Rehearsal oil painting


Rehearsal
mk206 about 1874 Oil on canvas 54.3x73cm
Painting ID::  49907 		Edgar Degas
Rehearsal
mk206 about 1874 Oil on canvas 54.3x73cm
   
   
     
Edgar Degas Dance doing pose oil painting


Dance doing pose
mk206 1874 Oil on canvas 66x50cm
Painting ID::  49908 		Edgar Degas
Dance doing pose
mk206 1874 Oil on canvas 66x50cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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